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Mega Man Zero Official Complete Works is an art book that contains all the original illustrations, data, promotional images, sketches and content that never reached. X - Zero: Illustrated Collection (Japanese Edition) [Clamp] on Amazon.com. *FREE* shipping on qualifying offers. *This book is new but is missing sleeve cover. X - Zero: Illustrated Collection (Japanese. This art book consists of art from the first 8 or 9 volumes of the series and continues into the art book X.

Regarded as one of the most important Dutch artists of the twentieth century, Jan Schoonhoven (1914–1994) created innovative works that reflect his active involvement in major European postwar developments in art, particularly in relation to serialized abstraction. Zara Whites Joy. Despite spending the majority of his life in Delft, The Netherlands, Schoonhoven worked in dialogue with and had a significant impact upon an international group of avant-garde artists. Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informal Group) and the Nul-groep (Nul Group), which were affiliated with the European Informel movement and the ZERO Group, respectively. Rejecting illusionism and subjective expression, these artists shared a collective interest in exploring the essential objective properties of art. Schoonhoven in particular developed a highly unique body of work that centered on a sustained investigation of serial abstraction, the monochrome and the grid. This volume includes new scholarship by Antoon Melissen, one of the foremost authorities on Schoonhoven's work. 'Diagonalen (Diagonals)' (1967
) is reproduced from Jan Schoonhoven.

CORY REYNOLDS DATE 4/21/2015 In his introduction to new monograph on Dutch artist (1914-1994), David Leiber writes, 'From 1946 until his retirement in 1979, the Dutch artist and civil servant Jan Schoonhoven took the morning commuter train from his native Delft to The Hague, where he labored in the Department of Post, Telegraph, and Telephone. His wife packed his daily lunch of fried meatballs. Somehow Schoonhoven clung to the scaffolding of this everyday clerical routine and returned home nightly to his small kitchen table 'refreshed' and ready to work. There in Delft, a town known for its painters (Vermeer), pottery, and also breathtaking light, the artist crafted his signature sunken reliefs made from discarded cardboard boxes (usually packing for television sets) and sealed with unprinted newsprint and common white latex paint. As Rudi Fuchs wrote: 'Despite their minimal form and color there’s no boring monotony. Firstly, there is a sense of it being a manuscript, in which the handmade quality is almost tangible.' ' Thin Ridge Cardboard-Second One (1965) is reproduced from, which will be the subject of a talk between Leiber and Schoonhoven scholar Antoon Melissen at the tonight at 6PM.

Edited by Antoon Melissen. NAI010 PUBLISHERS ISBN: 496 US $65.00 Pub Date: 3/22/2016 Active In stock Text by Antoon Melissen. DAVID ZWIRNER BOOKS ISBN: 041 US $50.00 Pub Date: 5/26/2015 Active In stock. Distributed by D.A.P. FORMAT: Hbk, 8 x 10 in.

/ 126 pgs / 130 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $60 ISBN: 041 PUBLISHER: David Zwirner Books AVAILABLE: 5/26/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock D.A.P. CATALOG: SPRING 2015 Page 129 INFO AS OF: June 18, 2017 PRESS INQUIRIES Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: TRADE RESALE ORDERS D.A.P. DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: Jan Schoonhoven Published by David Zwirner Books.

Text by Antoon Melissen. Regarded as one of the most important Dutch artists of the twentieth century, Jan Schoonhoven (1914–1994) created innovative works that reflect his active involvement in major European postwar developments in art, particularly in relation to serialized abstraction. Despite spending the majority of his life in Delft, The Netherlands, Schoonhoven worked in dialogue with and had a significant impact upon an international group of avant-garde artists. Beginning in the 1950s, he played a central role in the Nederlandse Informele Groep (Netherlandish Informal Group) and the Nul-groep (Nul Group), which were affiliated with the European Informel movement and the ZERO Group, respectively. Rejecting illusionism and subjective expression, these artists shared a collective interest in exploring the essential objective properties of art. Schoonhoven in particular developed a highly unique body of work that centered on a sustained investigation of serial abstraction, the monochrome and the grid. This volume includes new scholarship by Antoon Melissen, one of the foremost authorities on Schoonhoven's work.